Monday, December 13, 2004

Relevant Rhetorical Criticism

I have been fortunate this last semester to lead an incredible seminar on post-September 11 institutional rhetoric and response. I am amazed at the research the participants in the seminar have done. Each day of class discussion has been full of pluralism, relevance, and critical excitement. I would like to share some previews of the students' final projects.

These students represent every end of the political spectrum...there are punk-rocker anarchists and socialist feminists, moderate republicans and democrats, and conservative, evangelical Christians. What they all hold in common is a commitment to exploring tools of rhetorical criticism to better understand and participate in political life.

One student is doing a narrative and symbol-imagery analysis of the Creative Commons Movement, an alternative licensing system that gives creators the choice of how much copyright protection they want. Since intellectual property is such a central component of contemporary power arrangements, and since traditionally the debate has been contained in a dichotomy between absolute protection and absolute commonization, this movement strikes at the very heart of the concept of "ownership" that contextualizes current bourgeois society--a society that is, in many ways, fundamentally under attack--and said attack is partially strengthened by the "spectre of free information."

Another student is taking a rather ironic route towards contemporary criticism of President Bush. Using as his starting point the derisive comparisons of Bush to a "rogue cowboy," this student is analyzing three John Wayne movies as tools for comparing Bush to a cowboy. These movies, "The Searchers," "The Cowboys," and "Stagecoach" feature Wayne in different functional "cowboy" roles: Fighting "savage" Indians, moving cattle, riding through dangerous territories, themes that offer symbolic tools to analyze just how much of a cowboy Bush really is. Themes of chaos-versus-civilization permeate both classic western movies and post-September 11 institutional rhetoric. This essay shows a great deal of promise in examining the attributions of such themes and images in politics.

Another student is analyzing David Rovics' song "Oppositional Defiant Disorder" in a framework modifying Richard Gregg's model of the ego-function of protest rhetoric. Rovics invokes a community of rebels through reappropriation of an institutional label normally designed to medicalize and theraputize dissent. Rovics reappropriates this diagnosis to create a community of proud, "sick" protesters.

Another student is applying a model based on Marx, Foucault, Gramsci and Goffman to analyze the rhetoric of the English-Only movement. This student argues that language is important to power; it reconfigures power relationships and this power bleeds into the material sphere of political life. Arguments in favor of English-Only include appeals to English as "The Language of Opportunity," and other rhetorics of empowerment, including arguments that English is the language of "responsible citizens and productive workers."

Randall Lake's landmark article on Native American protest rhetoric is the basis for one student's application of Lake's model to the rhetoric of Hamas. Are their arguments designed to convince those outside of the organization? This student doesn't think so. Instead, rhetoric might be an end in itself, or serve a self-justifactory or internal cohesion function. What happens, however, when outsiders notice this rhetoric? What happens when splits within the movement problematize the rhetoric? What happens when the rhetoric doesn't accomplish its mobilizing function?

Another student is taking on quite a task: A symbolic convergence/fantasy theme analysis of the division in the current anti-war movement. ANSWER, a Workers World Party front group that ended up very influential in the entire American anti-war movement, demanded a framework for protest that tied opposition to the Iraq war with opposition to capitalism as a whole. This allowed those outside of the movement to identify ALL participants in the movement as dirty communists...but it also forced those inside the movement who were NOT anti-capitalists to distance themselves from important avenues of organizing and protest. Successful movements create shared meanings. We create worlds of symbols together. This is an example of symbolic convergence not occurring. Like so many of the papers in this seminar, this one is not merely an application of a model, but a commentary on the effectiveness and flexibility of that model.

The tendency of media organizations and politicians to call certain areas in a war "hot zones" is the basis for another student's application of Chris Cuomo's critique of stability rhetoric, and agenda-setting theory, to current representations of the war. The idea that war is a singular event means we ignore that which is "outside the battle." Everything outside of the "hot zone" is assumed to be stable and peaceful. Clearly, such assumptions are breaking down right before our eyes and ears.

Another student is analyzing the rhetorical failings of punkvoter.com. Utilizing Gregg's ego-function theory as a starting point (but not an end point), this student argues that the site, organized by Fat Mike of NOFX, is little more than a glorified voter registration site, even though it is laden with punk symbols and an empty appeal to radicalism. The site promises the ability to confront the system, but offers no real political strategy to do so, and is myopically opposed to Bush, appealing to the imagery of "punk identity" rather than good political analysis.

Two students are applying Dana L. Cloud's model of the "affected public" to media and Presidential support for the Iraq War. Cloud's "affected public" is one that is constituted in response to crises like 9-11, abandons reason and causal analysis in favor of individualist, emotion and religious-based therapeutic imagery. One student is concentrating on the media's complacency in the essential lack of public reasons and justifications for the war, while the other student is demonstrating how Bush himself created an affected public through invoking images of absolute good and evil, as well as dehumanizing rhetoric. Cloud's alternative to an affected public, by the way, is a materially-supported Habermasian public forum, where reasons, and argument, are valued.

Another student is analyzing the "Boycott France" movement through Marsha Vanderford's frquently-cited model of social movement vilification. Although the boycott movement isn't very rational, serious, or cohesive, it still contains the fundamental elements of vilification that so many rhetorical scholars have cited Vanderford on: The creation of an adversarial force, revealed in an exclusively negative light, with diabolical motives, which are magnified during the vilification process.

If you've seen "support the troops" magnets on people's cars, you'll enjoy one student's analysis of what such magnets tell us about ourselves. This student argues that the commodification of troop support strokes our egos more than affecting any positive outcomes for the troops. He uses both commodification theory and Gregg's ego-function theory to analyze the fundamental convenience and content-free power of those magnets (many of which, by the way, are made in China).

When elite media outlets refuse to air certain ads they deem too "political," are they engaging in strategies of power maintenance? One student thinks so, and is arguing that the recent refusal by a major TV network to show a Move-On.org ad can be explained by Andrew King's theory of elite power maintenance.

Finally, one particularly ambitious student is taking on the entire pro-life and pro-choice dichotomy by arguing that traditional pro-life appeals to religious fundamentalism and absolute individual responsibility will ultimately fail. This student is drawing on the very small but articulate pro-life feminist movement (along with some collectivist and socialist arguments against abortion) to suggest ways to re-invent and re-orient a centrist-left anti-abortion movement. Central to this movement is the argument that abortion is essentially a form of patriarchal oppression, a sign of late capitalism's pro-death culture, and, in essence, tells women to respond to their own oppression by transferring that oppression to a weaker social entity--the unborn. I'm looking forward to the explosive responses this project might inspire from both sides of the abortion debate.

I will ask these students whether I can post their papers to a new weblog I am creating over the holiday break, a site entitled ARGUMENT NOW! With their permission, I will post the essays and works cited, and have space for commentary. Each essay will have its own unique link so that scholars and students can utilize and cite those essays relevant to them. ARGUMENT NOW will ultimately serve as a space for collecting and posting student and other work on rhetoric, argumentation and debate.

It's been a kind of guilty pleasure to participate in the seminar this semester. I have rushed to class every Tuesday and Thursday looking forward to the discussions, arguments, readings and responses these brilliant and energetic people have been generating. I am especially encouraged by the relevance of all this work. These students are learning--and teaching--critical skills that do not merely constitute academic navel-gazing. The skills gained in this type of criticism can be passed on to millions of students, teaching them how to listen to and watch political speeches, advertisements, campaigns and the half-assed institutional justifications thrown at us by a system that, by and large, underestimates the intelligence of the public.


2 comments:

Anonymous said...

This is Ian.

Holy cow, that all sounds so cool. I produced a film short a while ago and licensed it under Creative Commons and that stuff about the center-left anti-abortion colaition is too interesting for words. I would love to read just about everything mentioned here. How in the world did you ever get a group of people this cool together?

Matt J Stannard said...

Thanks Ian.

It's a 4000/5000 level class, so it includes both experienced undergraduates and grad students. The cool think is that many grad students from programs other than Communication chose to take it, as grad students are encouraged to enroll in at least one course outside their department. So we have a law student and a psych student in it as well. There are a few debaters, and just a lot of bright people.